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Copen Speedruns Into Gunvolt 3 CONNECT iX | Analysis by Brian Moineau

Posted on by Brian Moineau

A surprise speedrun: Copen zips into Azure Striker Gunvolt 3 with CONNECT iX

There’s a small, electrifying update buzzing through the Gunvolt community this week: Inti Creates has pushed a free update to Azure Striker Gunvolt Trilogy Enhanced that injects a fresh, high-octane mode into Azure Striker Gunvolt 3. Called “CONNECT iX,” it hands players control of Copen — the rival-turned-standout from the Luminous Avenger iX subseries — and turns Gunvolt 3 into a compact speedrun playground built for chaining movement, scoring, and personal bests.

Why this matters beyond a new costume

On paper, it’s a single new mode. In practice, CONNECT iX does a lot of heavy lifting:

  • It bridges two branches of Inti Creates’ action catalog (the main Gunvolt numbered series and the iX spin-offs) in a playable, mechanical way.
  • It reframes Gunvolt 3’s stages as speedrun courses, highlighting movement tech and risk/reward scoring rather than long-form story progression.
  • It gives fans of Copen — and players who like fast, precise platform-action — a distilled, replayable challenge without needing to jump to a different game.

If you’ve played any Gunvolt title, you know the series is about rhythm: dash, lock, chain, and keep momentum. CONNECT iX takes that rhythm and accelerates it.

What CONNECT iX actually does

Based on the patch notes and coverage:

  • CONNECT iX is a “Speedrun” mode added to Azure Striker Gunvolt 3 (accessible from the main menu).
  • You play as Copen from Luminous Avenger iX 2 across five stages and bosses, aiming for the highest score and fastest time. (gematsu.com)
  • Gameplay highlights:
    • Bullit Dash mobility lets Copen zip through the air and lock onto enemies rapidly.
    • Access to the seven EX Weapons (Lola’s special equipment) from iX 2 enables different strategies and loadouts.
    • An Overdrive mechanic triggers when Kudos (score) is high enough, powering Copen up and invoking Lola’s support via song. (gematsu.com)

These changes make CONNECT iX feel like a curated best-of: short runs, explosive movement, and a focus on optimizing routes and weapon use. It’s competitive-friendly without being punishing to newcomers who want to experiment.

A bit of context: where CONNECT iX fits in the trilogy

Azure Striker Gunvolt Trilogy Enhanced launched as a bundled, polished package of the three main Gunvolt games (Gunvolt 1, 2, and 3) with added quality-of-life, music, and library content — released digitally for Nintendo Switch and PS5 on July 24, 2025 (with PC presence via storefronts like Steam). This update continues the “Enhanced” ambition: keep the trilogy current, add modes that broaden playstyles, and reward fans with new reasons to return to familiar stages. (nintendolife.com)

Inti Creates has a history of cross-pollination between its franchises (guest characters, crossover tracks, spin-offs). CONNECT iX is a neat design move: rather than just dropping Copen in as a palette swap, the mode adapts his iX toolkit and movement into a distinct scoring loop inside Gunvolt 3.

How players and speedrunners might react

  • Casual players: A fun, bite-sized diversion. Five-stage runs = quick sessions, perfect for practicing movement and learning Copen’s feel without committing to a full campaign.
  • Completionists: New leaderboards and high-score chasing will add another layer to platinuming or completion runs.
  • Speedrunners: CONNECT iX’s short-run structure is tailor-made for route optimization and leaderboard competition. Expect communities to form new categories or integrate these runs into existing Gunvolt speedrun sets.

Because the mode leans on iX-specific tools (Bullit Dash, EX Weapons, Overdrive), mastering it will also teach transferable skills for other iX-related content and fan-made challenges.

What this update says about Inti Creates’ approach

  • Iterative value: Inti Creates continues to support the Trilogy Enhanced edition post-launch, not just with balance tweaks but with meaningful content that changes how the games are played.
  • Franchise cohesion: Bringing Copen into Gunvolt 3 winks at long-term fans while remaining approachable to newcomers.
  • Community-first design: Short, score-driven modes encourage replayability and social competition, which helps sustain interest long after the initial release window.

Quick takeaways

  • CONNECT iX is a free speedrun mode in Azure Striker Gunvolt 3 that makes Copen playable across five fast stages. (gematsu.com)
  • The mode emphasizes aerial mobility (Bullit Dash), EX Weapon variety, and an Overdrive scoring mechanic tied to Kudos. (gematsu.com)
  • It’s a smart crossover that rewards both casual replay and competitive speedrunning, while reinforcing the Trilogy Enhanced package as a living product. (nintendolife.com)

My take

CONNECT iX is the kind of update that tells you a studio understands its audience: it’s quick to pick up, mechanically deep, and gives players a reason to reconvene around leaderboards and clips. It doesn’t rewrite the series’ identity, but it sharpens one of its most appealing facets — fluid, expressive movement — and packages that into a mode that’s both streamable and addictive. For anyone who loves action games where graceful movement meets scoring optimization, this is exactly the sort of bite-sized content that keeps a trilogy feeling fresh.

Sources



Related update: We recently published an article that expands on this topic: read the latest post.

Related update: We recently published an article that expands on this topic: read the latest post.

Related update: We recently published an article that expands on this topic: read the latest post.

Ngannou Shrugs Off Dana White Drama | Analysis by Brian Moineau

Posted on by Brian Moineau

Francis Ngannou and the Dana White Dust-Up: Why the Predator Isn’t Biting

There’s a certain rhythm to combat-sports drama: a fiery headline, a torrent of takes, clips that loop until everyone has an opinion. But when Francis Ngannou was asked about Dana White’s recent allegations that he physically accosted White and Hunter Campbell at UFC headquarters, the former heavyweight champion did something unexpected — he shrugged, pointed to cameras, and said he’s done with the noise.

In a calm exchange with Ariel Helwani, Ngannou didn’t leap to deny or escalate. Instead he sounded weary, almost philosophical, about the continued back-and-forth with the man who once helped make his career. That response matters — and not just for headlines.

What happened (quick context)

  • Dana White publicly claimed that, after being denied a post-fight bonus, Francis Ngannou pushed him in his office and grabbed Hunter Campbell by the collar. White’s comments painted a picture of a heated confrontation at UFC headquarters. (mmafighting.com)
  • Ngannou, now signed with the PFL and a recent crossover boxer, addressed the allegation on the Ariel Helwani Show. He didn’t explicitly confirm or deny the specifics. Instead he expressed fatigue with endless controversy, noted that White “must have a lot of cameras” in his office, and said he wants peace rather than drama. (mmafighting.com)
  • The exchange is the latest chapter in a fractured relationship that stretches back to Ngannou’s UFC days and his eventual departure to pursue other opportunities. (mmafighting.com)

Why Ngannou’s response is telling

  • He’s opted out of the spectacle. Fighters and promoters thrive on attention, but Ngannou’s posture — tired, measured, uninterested — signals a conscious choice to step away from whatever narrative White wants to spin. That’s a rare public display of discipline in a sport that feeds on heat.
  • The camera comment is strategic. Mentioning security footage does two things: it subtly invites verification without demanding it, and it reframes the claim from he-said-she-said gossip into something potentially objective.
  • There’s image management on both sides. White’s recounting of the episode reinforces a version of events that justifies his criticism of Ngannou; Ngannou’s refusal to engage denies the story the oxygen it needs to keep burning. Both are managing reputation — one with volume, the other with silence. (mmafighting.com)

A few practical takeaways for fans and the media

  • Don’t let drama drown out sport: Ngannou’s career choices (UFC → boxing → PFL) and performance matter more for his legacy than gossip. Focus on results and contracts, not rumors. (mmafighting.com)
  • Evidence > assertions: If there’s an actual incident at a corporate office, security footage would be decisive. Until then, treat secondhand recollections as just that — recollections. (mmafighting.com)
  • Read posture as a statement: Choosing not to escalate is itself a public position. Ngannou’s coolness communicates weariness and a desire to move on — a signal that’s harder to spin than a hot rebuttal. (mmafighting.com)

My take

This feels less like a punch than a punctuation mark in a long story. Ngannou’s trajectory — from underdog to UFC champion to international boxing star and PFL competitor — has always included moments of friction with the UFC establishment. Dana White’s latest comments are consistent with that pattern: loud, definitive, and engineered to land. Ngannou’s gentle refusal to play the erupt-or-defend game is smarter than it looks. Public feuds can lift short-term attention, but they also tether a fighter to a narrative that’s rarely beneficial in the long run.

If Ngannou wants options — bigger fights, crossover paydays, a path back to the biggest platforms — staying above the noise and letting outcomes speak will serve him better than getting dragged into another public war. And by dropping a neutral remark about cameras, he left the door open for facts to do the talking without inviting more headlines.

Final thoughts

In combat sports, heat sells. But there’s also power in restraint. Francis Ngannou’s answer — tired, clipped, and pointed toward objective proof — is a reminder that sometimes the strongest response is the quietest one. Whether you root for him or for the spectacle, this exchange underscores a larger question for the sport: how much of what we call “news” is really about athletes and how much is theater produced by promoters, networks, and personalities?

Sources



Related update: We recently published an article that expands on this topic: read the latest post.

Related update: We recently published an article that expands on this topic: read the latest post.